“Windrunner – Spirit of the High Plains”
(2025_Oil_on_Canvas_36x48_Windrunner.jpg)
(2025_Oil_on_Canvas_36x48_Windrunner.jpg)
Artistic description:
A thunderous close-crop of a chestnut stallion caught mid-gallop, painted in the spirit of Contemporary
Western Expressionism.
Thick, gestural impasto strokes explode across the canvas like wind-whipped flame; the mane is a riot of burnt sienna, alizarin crimson, and cadmium scarlet dragged with palette knife and bristle.
Light fractures across the horse’s arched neck in broken prismatic flashes—raw umber shadows carved deep, golden ochre and naples yellow highlights skimming the ridges of paint like sun on sweat-slick hide.
The sky behind is a turbulent veil of cerulean, indigo, and viridian dragged wet-into-wet, giving the sensation that horse and storm are one living force.
This is the West stripped to its mythic core: power, freedom, and untamed velocity frozen in oil.
Style lineage / “In the tradition of”;
- Frederic Remington’s dramatic night scenes and charging horses, but exploded into full color and raw brushwork
- Contemporary echoes of Mark Maggiori’s cinematic light and emotional intensity
- The fearless paint handling and equine obsession of British painter Lucy Kemp-Welch (early 20th century)
- Touches of Velázquez’s loose, loaded brush in the treatment of horse flesh and flying hair
- A spiritual cousin to the large-scale gestural horse paintings of Deborah Butterfield never painted—but in two dimensions and pure pigment
Recommended framing:
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- Wide (3–4″) distressed dark-walnut floater frame with subtle red undertones in the grain to echo the mane highlights.
- Very slight linen liner in natural oatmeal to give the painting breathing room and enhance the vintage ranch feel.
- UV-protective museum glass (or Optium acrylic if it will travel) to preserve those intense pigments.
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